Imagery Of Madame Bovary

Imagery Of Madame Bovary In many forms of literature, authors use symbols as a representation of interpretive meaning. In Gustave Flauberts novel, Madame Bovary (1856), one of the major achievements is the excellent use of symbolism. Many of the moral values throughout the novel lie within the use of symbols, which are the elements in the narrative that communicate the rich values over and above their literal meanings (Dauner 1). The apparent purpose of the author is to paint pictures with words, bringing scenes and settings alive with the astonishing use of descriptions. Flauberts descriptions are often built up like pictures, from left to right of background to foreground, occasionally even moving through the senses, from sound and smell to touch and sight (Levi 235). Through the use of symbolism, this novel appeals to the senses of idealists. Flaubert uses the garden as a symbol throughout his work that affects the main character, Emma, and implies certain connotations other than its literal meaning. In P art I of the novel, this symbol is presented repeatedly with rich association. Throughout Part I, the Tostes section of Emmas life, the garden appears four different times. It first appears after Emma marries Charles and has seats made around the sundial in the garden. This not only represents her initiative, but also her early stages of romanticism. Later, after she has realized the difference between her vision of Romance from the novels in which she has read, and the marriage to a man that is satisfied with his middle-class lifestyle and has no desire to ascend into higher social class, she begins to go to the garden by moonlight and tries to make herself fall in love with Charles, while singing passionate poems and singing melancholy. The garden now functions as a character symbol, representing Emmas ambition and her bourgeois romanticism. The garden also plays a major role at Vaubyessard. During the ball, Emma looks out the window which opens to the garden, where she then sees peasants peering in from the garden, their faces pressed against the glass (Flaubert 1067). From the garden, her memory of the past seems to be as remote to her present as her actual present is remote for this single night of wealth and society. According to Clive James, this is the scene that awakes Emmas dangerous taste for the high life (3). For this night, Flaubert explains to the reader, [à ¢Ã¢â€š ¬Ã‚ ¦] had opened a breach in her life, like one of those great crevasses that a storm can tear across the face of a mountain in the course of a single night (1070). Now, the garden creates a type reference in time and character, embracing past, present, and future. Emma is not as she was nor how she will be. The final appearance in Tostes is represented as a pure mood mirror (Dauner 2). There was no sounds of birds, everything seemed to be sleeping- the espaliered trees under their straw, the vi ne like a great sick snake under the wall coping, where she could see many legged wood lice crawling as she came near (Flaubert 1074). Here, the garden is used as an objective to Emmas self-pitying of her marriage. Later in the novel, the garden also plays an important role in the fulfillment of Emmas destiny. Later, the garden appears at least seven times in the fulfillment of Emmas destiny. Because of Emmas taste for a higher lifestyle, she develops bad health that persuades Charles to move from Tostes to Yonville, where she meets Leon, the young clerk at the notarys. They soon become attracted to each other through their romantic interests. One day, Leon accompanies Emma on a walk to see her infant, who is with the wet nurse. On their way back to Yonville, Emma becomes tired and takes Leons arm. Next, they pass by The garden walls, their copings bristling with broken bits of bottles, were as warm as the glass of a greenhouse. Wallflowers had taken root between the bricks; and as she passed, the edge of Madame Bovarys open parasol crumbled some of their faded flowers into yellow dust; or an overhanging branch of honeysuckle or clematis would catch in the fringe and cling for a moment to the silk (Flaubert 1093). The two then spoke for a brief moment, but Their eyes were full of more mean ingful talk; and as they made themselves utter banalties they sensed the same languor invading them both (Flaubert 1093). Through the objective details of the author and with Emmas apparent purposeful violation of the wallflowers with her sunshade, Flaubert may have been employing an underlying sexual tone that relates to both the concept of the garden and the tension of the walk, which may also be foreshadowing Emmas affair with Leon. Emma herself is a kind of wallflower-emotionally untouched (James 5). Soon after Leon leaves for Rouen, Emmas thought revives her happiness of the [à ¢Ã¢â€š ¬Ã‚ ¦] afternoons by themselves in the garden! He had read aloud to her, bareheaded on a rustic bench, the cool wind from the meadows ruffling the pages of his book and the nasturtiums on the arborà ¢Ã¢â€š ¬Ã‚ ¦. And now he was gone, the one bright spot in her life, her one possible hope of happiness! (Flaubert 1110). The garden now acts as the physical force that creates Emmas emotion. Later, w hen Leon comes back from Rouen to visit her, it is behind the garden that she meets him, as she had previously done with Rudolphe. The garden continues to play an important part of Emmas life up until the point of her death. Emma soon becomes disgusted with the garden because of the memory in which it evokes. She then develops a type of sickness for the garden and keeps her blinds in the house down on that particular side so that she will not have to see it. At this point, the garden functions simply as a symbol of memory and mood. Finally, after Emmas death, it is in the garden that the reader finds Charles, [à ¢Ã¢â€š ¬Ã‚ ¦] with his head leaning back against the wall, his eyes closed, his mouth open; and there was a long lock of black hair in his hands (Flaubert 1249). The author uses the garden in this instance as a symbol of tragic irony. According to James Panero, Symbolism has always been stronger in its literary rather than graphic forms (3). Through examining the work of Flaubert, and his superb use of symbols and vivid descriptions, one could conclude this assumption to be true. Flaubert revolutionized fiction with his use of point of view to provide multiple images to provoke symbolic meanings (Smothers 3). Flaubert uses the garden as a poetic symbol in a variety of ways throughout his novel. It moves from the lighter tone of a character to assuming darker qualities that foreshadow Emmas increasing involvements. The garden also carries a sexual connotation and often becomes a thematic symbol. It would not be a far stretch to say that the garden in this novel has become a conventional symbol, meaning that people have to come to accept it as standing for something other than its literal meaning (Barnet 212).

Siberian Husky :: essays research papers

Siberian Huskies are thought to have come from Siberia when there was a land bridge between Alaska and Siberia. The Siberian Husky has some very unusual characteristics. Some of the characteristics are behavioral and some are physical. Overall the Siberian Husky is a beautiful, trustworthy and loyal companion to its master and family. Some of the Siberian Huskies unusual physical traits can be found in their eyes. The Siberian Husky can have blue eyes or brown eyes or one of eye of each color (to have one of each color is a physical flaw). It also has a strong compact body which help them trap and kill their pray; strong straight legs, which enable them to run with long hopping strides; a deep chest, which allows them to knock their pray off their feet; and a curved bushy tail, such as a fox. (Sled Dogs, 21-2). The Siberian Husky has two layers of fur; an under-coat and an outer-coat. The under-coat is designed to protect them from the rain and snow and keeps them warm in the winter, therefore, allowing them to be able to be sled dogs. The outer-coat is to protect them from stinging bugs, ticks, thorny bushes and ice. (Compton's). Some of the unusual behavioral traits that Huskies are known to have are their relationship with their masters is one that must be built over time. The Husky does not trust immediately, their trust must be earned. The Husky likes to explore new areas and are curious animals by nature. They wonder from their domain in order to conquer new territory. The Huskies are strong-willed and stubborn dogs. They are very territorial but also remain gentle and friendly with their master and family. If their master abuses them they will become very aggressive and are likely to turn and attack their owner. They are very good family dogs, they are especially good with children. (Animal Behavior 82-5). This particular dog is used for dog sledding because it is strong, can run long distances and their bodies can withstand the bitter cold weather. In addition, the Husky is used for hunting and as a watch dog. Huskies have keen senses, they can hunt well and can run fast. (Compton's) The Siberian Husky is a hunter by nature. They hunt for their meals, and eat a variety of different wild meets and weeds. Some of the most common foods of the Husky are snow rabbits, deer and raw meats, unless they are domesticated. A domesticated Husky will eat processed dog food and/or table scraps; which ever the master desires to feed them. Some accomplishments of the Siberian Husky are that in

Change Speech

Today I am here to talk to you about change, and a few different texts that have challenged my thinking and broadened my understanding of change. Change, we have all experienced it change at one stage of our life, for the better or maybe even for the worse. But change is a normal part of our life’s, and we have to deal with it the best we can. After studying these texts, Raw by Scott Monk, Andrew Denton’s interview with Aron Ralston, and the short storey the Final Game by Olivia Coleman. My understanding of change has broadened and i am now much more aware of people’s experiences and how they have overcome and dealt with change. Aron Ralston was a young mountaineer. While he was on a mountaineering trip through Blue John Canyon in Utah in April 2003, a boulder crushed his right arm, pinning it against the cliff wall. Aron did not inform anyone of his trip, so he knew that nobody would be searching for him. He spent five days slowly sipping his only small amount of water left, while trying to dislodge his arm. Assuming that he would die, he ran out of water and began to drink his own urine. He video tapped his last goodbyes to his family and friends with a little camcorder he had in his backpack. Aron, so sure that he would die now, carved his name and date of death into the cliff face. After surviving the fifth day, he decided that there was only one way out of here alive. He was forced to amputate his own arm. Using the chalkstone as a vice he managed to snap both bones in his arm. Then using a dull two dollar pocket knife he began to slice through the skin in his arm. Using a pair of pliers to twist and snap his tendon, it was a miracle he didn’t pass out from the pain and blood loss. Once free Aron had to make a 65foot rappel down a sheer drop, then hike seven miles out of the canyon in the hot midday sun to reach his car. After surviving all those odds, he was told he had a bone infection and only had a fifty – fifty percent chance to live. Luckily Aron survived the infection and made a full recovery and lives on with a prosthetic arm. Aron has gone on to design many attachments for not only his arm, but other handicapped people as well. ‘Between a Rock and a hard place’ was the book that Aron published to tell his story and share his experience with others. Aron has shown us that a extremely negative situation can change your life for the positive, and it has certainly changed his life. We see this during his interview on the show Enough Rope with Andrew Denton that his personality has changed; he has a greater sense of patience and has come to appreciate his friends and family more. Even with just one arm Aron says that he has a greater ability to tackle everyday situations and problems, because he knows that he can overcome anything that life throws at him. In another text Raw by Scott Monk, shows us that different people relate to change in different ways. Two characters in particular, Brett Dalton and Josh Collins. Josh is a young man that is open to change and we see this when he says â€Å"Sam doesn’t order me to do anything, He’s my friend, I live on his farm, I do what he says†. Sam is the owner of The Farm, and institute were troubled boys go to seek help in straightening out there life. Brett was sent to The Farm after committing several crimes against the law. There’s one problem though, Brett doesn’t want anything to do with The Farm, he doesn’t want to do what he’s told, he doesn’t care what anyone thinks, and he just doesn’t want to change. To make things worse he feels trapped and alienated from the other boys, and doesn’t fit in. Sam, the owner of the farm, puts up with Brett’s ‘shit’ for as long as he can. He knows that he can change Brett, and won’t give up until he does. Fortunately for Brett, the farm slowly changes his personality to a more positive and caring young man. He begins to fit in with most of the boys, but there will always be one or two that don’t like the way he acts. After some time on the farm Brett seemed to have turned his life around. But it was no happy ending for Brett, as the cops found him after someone dobbed him in for trespassing. Brett was going back to a jail thinking that all this was just a waste of time, but it wasn’t. He still had his friends that he’s made, and the lessons that he had learned along the way. Brett was given the chance to start again, a fresh start to do things right from the beginning. He had changed his own life, something he thought he could never do. Change doesn’t always have to be a positive thing, as shown in the short story by Olivia Coleman called The Final Game. The Final Game is a story about a young man that has a love for football and is very good at it. He is only ever referred to as ‘He’. The author has used this technique to show that ‘he’ can refer to any young man his age. Although he is extremely good at what he does, a serious knee injury is holding him back. Finding it hard to make friends and get selected for the top footy teams, he always things quite negatively about himself. To make things worse, he has a dream to one day couch a footy team, but his parents are only holding him back from this dream. We see this when his dad says â€Å"sorry mate we can’t afford it, you’re stuck here† and â€Å"that’s for wankers, decent blokes stay on the land†. This only creates more negative feelings within him. Until one night he couldn’t take it anymore and took off in his dads Ute. Speeding down the dark road, he lost control of the vehicle. He found himself dangling upside down from the seatbelt, he could feel his legs, and at that moment he realised that his life had changed forever. These three texts have challenged my thinking and broadened my understanding of change. They each show change from a different perspective. From Aron Ralston retelling his story of survival to â€Å"The Final Game† which showed that change might not always turn out positive. I hoped that you all learnt something from these texts, because I sure have. And I hoped you enjoyed my speech on change.

The New Perspective Reading Literature Allegorically Essay

You know, I thought I had a firm grasp on the guilt that I have felt over the last three years, but it turns out there is more to it. In my last essay, I confronted my guilt in a more spiritual sense I think, but this time around I feel like there is an even more tangible lesson to learn and it can ultimately affect how I am as a person in the future. I remember reading stories like Harry Potter and the Chronicles of Narnia as they were – just stories of wizards with the ability to make things float or disappear and with worlds that are simply just a wardrobe away. However, I never imagined that under all that magic it could be interpreted to be so much more – that this young wizard and his world or the journey that the Pevensie’s go on†¦show more content†¦But [he] could not bear to be a little one; [he] was only swollen with pride†¦[he] seemed a very big man† (Augustine 910). Augustine finds the way the Bible was written then to be too s implistic, more fitting for children so there was no reason to interpret it, but what he didn’t understand then was that within that simplicity was a message that could have provided the growth that his mind sought. I understand his inability to convert to Christianity due to the fact that it was something that did not parallel with what he had been taught because I have also felt conflicted like Augustine when it came to religion before. However, we can see that as Augustine is writing his confessions, he is continuously reading even his own work allegorically. An example was in the way he had interpreted his younger self weeping over the death of Dido. In book II, Augustine writes about how he was â€Å"forced to memorize the wanderings of Aeneas† and as a result â€Å"[forget his] own wanderings†¦ and [wept over] the death of Dido who killed herself for love, while bearing dry-eyed [to his own] state† (Augustine 906). 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